3/31/2023 0 Comments Emilie autumnIn May, 2009, Autumn and her Crumpets (Aprella, Naughty Veronica, The Blessed Contessa, and Captain Maggot) completed their most recent European tour entitled "The Asylum Tour: The Gate Part II." November 2008 marked the first Asylum performance in the USA, a sold-out New York extravaganza. 'Opheliac' is my 'mad scene'."Īccentuated by Autumn's signature electric violin pyrotechnics, heartbreakingly lush orchestrations, hard-core beats, and menacing lyrics growled with enough intensity to make your hair stand on end, the resulting noise is a harpsichord-heavy romp through Victorian asylums where screaming is allowed and girls always get revenge.Ģ0 were filled with nearly non-stop European touring for Emilie Autumn and her traveling circus, and the Asylum stage show has grown with each incarnation, quickly changing viewers' expectations from rock show to Broadway musical, complete with singing, dancing, fire-eating, stilt-walking, aerial flying, stripping, burlesque feather fan dancing, highly inappropriate comedy bits, and much, much more. This is simply what it sounds like inside my head. ![]() The subject matter of this elaborate concept album is much darker however, bravely and often humorously addressing highly controversial issues ranging from manic depression (the harpsichord-driven title track as well as the contagiously danceable "Swallow" and the epic "Misery Loves Company"), self-mutilation ("Liar," a terrifying decent into hell), and sexual abuse ("Gothic Lolita") to suicide (the beautifully ironic "The Art of Suicide"), and touching on Autumn's real-life experience as a psych ward inmate (the tragically funny "Thank God I'm Pretty," from the "Opheliac - Deluxe Edition" Bonus Disc).Īs Autumn herself explains: "I learnt to walk in the back stages of theatres and opera houses, amongst the beautiful chaos of costume changes, circus performers, sweaty ballerinas, dripping make-up, and far too much glitter. Written in the style she calls "Victoriandustrial," this magnificent musical adventure draws upon Emilie Autumn's background as a child-prodigy classical violinist growing up on the stages of concert halls around the world, and combines it with her passion for harsh industrialism, aggressive metal, and all things Vaudeville. But as the sole composer, performer and producer of her latest full-length album, the double disc "Opheliac," EA gets personal. ![]() With appearances on Leno and Letterman, glossy magazine covers, and guest spots on the albums of such artists as Love, Otep, Billy Corgan and TV's "Metalocalypse" under her corset strings, Emilie Autumn's devilishly dark lyrics, metal-shredding violin solos, and industrial-strength voice reinvent "gothic" for the masses, and goths have never had so much fun.Ĭhosen by Interview Magazine as one of their "14 Artists to Watch," the Los Angeles-born starlet's theatrical stage show is a sexy circus of glam-rock burlesque, backed by a scantily-clad girl band known to Emilie Autumn's devoted fans as the Bloody Crumpets. Courtney Love's "anarchy violinist" returns to the stage and is keeping the spotlight all to herself.
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